FLOR GARDUÑO "VESTIDO ETERNO, MEXICO" 1999 Dzubas 1980s "Lullaby for Jumbo" (from "Façade:

"Lullaby for Jumbo" (from "Façade: In Homage to Edith Sitwell")

emanate an air of confidence or nonchalance and are often surrounded by abstract or patterned elements from an array of sources and eras

and the evolving status of the art object

Tod visited the building to attend the unveiling of a portrait she was commissioned to paint of the departing CEO

FLOR GARDUÑO "VESTIDO ETERNO, MEXICO" 1999 Dzubas 1980s "Lullaby for Jumbo" (from "Façade:Flor Garduo's (b. 1957) black and white photographs articulate a sustained dialogue between humanity and nature, tradition and time. Garduo studied visual arts at the Old San Carlos Academy (UNAM), where the surrealist pedagogy of Hungarian photographer Kati Horna proved a formative influence on her aesthetic development. In 1979 she left formal study to serve as darkroom assistant to Mexican photographer Manuel lvarez Bravo. During this time, Garduo